Posts tagged ‘story’
This week we are going to look at knowing where your shadow areas are going to be.
This will all depends on where your light source is coming from.
I usually do this in colour (we will cover this in a future blog), but a lot of artists do the shadows in the drawing phase. So if you’re that way inclined have a look at the drawing for this week.
From left to right. The first guy is a typical male character and the light source is coming in from the right. Therefore all the shading would be on the opposite side. Notice what happens with eyes, nose and cheeks. Make sure that your shading takes into account the contours of the face.
Secondly, the smiling character. The light in this case is coming from underneath his face. This is probably the hardest to do because all the shading would be in areas which usually have no shading. So, this can be rather confusing, just plan correctly.
The 3rd drawing of the woman. The light source is in the same place as the 1st drawing although her head is slightly turned towards it. Look at the significant difference it makes to how you shade her. Now the shading doesn’t cover half the face anymore.
And lastly in the fourth drawing the light is coming from behind the character. So all his forward features would be in shadow.
When you choose a light source you need to consider what impact the shading will have on the character. Is this going to work with the rest of the emotion that you are trying to convey?
Tip: When you are trying to decide what to shade and what not to shade, look at the parts of the face that protrude. Chances are that those are the parts that aren’t shaded, they would create shadow behind them.
Practice makes perfect with this one. Experiment and have fun!
There are a couple of reasons why a story plot is not feeling right or is boring. Examine the work and see if you can find the week points using this guide.
Too little action
A story becomes tedious if there is a lot of inner feelings and not a lot of action. This doesn’t mean that you need to have ninja’s jumping through the ceiling, it just means have your character do something interesting. This has to tie in with the book and the character.
Take Kung Fu Panda – it was a cute little story of a rather large out of shape guy that ended up being a super Kung Fu fighter. In it his inner changes were matched by a lovely sequence showing him learning and growing.
Too much action
An action film with no real plot is an excuse of car chases and fight sequences. Make sure that the action is relevant to what you are saying.
Keep asking yourself, what is this telling me about the character and is it clear enough that the dumbest member of the audience will get it?
A weak main character or main plot
99.99 percent of story problems come from a weak main character or a problem with the plot. You have to make sure that you have an interesting character that people want to get to know. You also need to make sure that the reason for the character doing or reacting to something is strong enough to drive the plot forward.
Weak character or weak plot = terrible story
Information which is not relevant
Too often a writer will have a weak concept or a concept that will get him or her 150 pages into the book, but it is difficult to end or it is too short. This means that they will go back into the book and kill good writing with bum fluff (a term I use for the really irrelevant, thoughts, feelings and descriptions which leave you thinking, who cares?)
I wish the publishing houses would learn to cut these books down. I would rather read a good 100 page book than a fluffy 300 page book. Oh, but a great book, be it 100 or 300 page is well worth it.
Repeating a point
Too often a writer will have a weak concept or a concept that will get him or her 150 pages into a book…
Repeating a point is annoying. Do I look so dumb that you had to tell me this three times? Dude, I got it the first time, move on or do you have nothing more to say?
At the end of the day, if you describe the character well and keep the pace of the books good. Have an interesting plat and character then you will have a readership.
We would love to see some of your work. Please post some of your writing, plots or ideas and we would be glad to comment on them.
Like hands, a lot of people battle with drawing mouths. Choosing to use either the line mouth or teeth clenched mouth, all the time.
Too often we see characters speaking to each other with gritted teeth, what’s that about? Like before, it’s all about having fun and experimenting.
I use to sit for hours on end trying to get the perfect nose and the perfect eyes and in the end they were never perfect. Practice by jotting down a sketch as quickly as you can with the aim of just having fun. It’s a lot less frustrating that way.
So, with regards to the pic this week, the top two rows are men’s mouths and the bottom two rows are those of women. The big difference between the two is the fullness of the lips. I did this on the upper lip of the first guy mouth to add a good looking feminine-ish look to him.
Start the mouth by deciding what expression you want to capture then draw a basic outline of the shape, open for shocked or shouting, smiling for happy.
Now add the smaller details, the hair, the lips the teeth and tongue. Perhaps there is a mole on the top lip or a scar across the lip. I varied the mouths with things like hairy faces, fuller lips, funny expressions. Have a close look at each and give it a shot at doing some of your own.
The first steps towards writing your own book.
This week we look at how eyebrows and eyes can affect expressions and how they can depict different character personalities.
Picture 1 & 2
Sharp angles on eyebrows are usually used to depict bad guys, but the can also be used for neutral characters. I had a bit of fun with the top two and it’s pretty easy to tell what they are thinking.
In the third picture the eyebrows were placed to show fear. This is pretty universal and easy to grasp. When working with eyebrows it’s important to not forget the rest of the forehead, note how each emotion adds furrows or wrinkles to the face.
In the next illustration I’ve drawn your typical calculating, bad guy. To get this effect use black, heavy eyebrows to draw attention to the character’s personality.
Picture 5 – 8
With the last four I just had fun. The old Chinese shop owner, the goofy fat guy, the narcissistic hero, and a dark haired guy flashing a goofy smile – Note how the cheeks go up and the eyes squint.
Examine each of these and just have fun! Create a few characters of your own using what you see here!
Picture all the elements that make up a character. His home, his village, his arch nemesis.
Here I started with his home. I drew his mushroomed old rotted wooded home in the cave where his people live. I mean, if you lived in a cave you wouldn’t seem very approachable and you’d end up very withdrawn. So that adds to his shyness. And every story has to have a villain or someone that’s a contrast to the hero in some way.
In this case, I drew up a villainous bear that lurks in the woods where the gnomes go to look for food. As with all good characters he needs to have some physical characteristic that makes him stand out from others. So, I gave him a few scars and made him look pretty mean. On a side note. When drawing animals, try to stay away from realism. This is a comic tutorial, so give your animals some comic qualities. Like the human eyes and mouth I gave him. Makes it similar to what Disney used to do with their animated movies. Makes it your work. Not a realistic copy. So with the bear in the woods it makes the gnomes very fearful. You see the story developing?
Give us some thoughts on where you see the story going.
Sheena’s note: Scars are an interesting addition to a character. It shows that they have been in fights and lived. This probably means that the other characters have come off worse than them. Unless it is a very particular scar, like the strangulation mark on the gnome’s neck. This shows a trauma to a character.
Tip on how to add life to your character.